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	<title>Comments on: The End of the Screenwriter</title>
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		<title>By: Michael Spence</title>
		<link>http://earlnewton.com/2009/11/18/the-end-of-the-screenwriter/comment-page-1/#comment-72</link>
		<dc:creator>Michael Spence</dc:creator>
		<pubDate>Thu, 19 Nov 2009 23:43:38 +0000</pubDate>
		<guid isPermaLink="false">http://earlnewton.com/?p=82#comment-72</guid>
		<description>Thank you, thank you, thank you.

For years (as a lowly audience member) I have seethed at posters reading &quot;A [director] Film&quot; as though writing were something any child could do, or as if the director had merely bought a term paper off the internet and filmed it. Yes, filmmaking is a collaborative effort and someone has to be the ringmaster, but unless he or she is doing complete improv, the director&#039;s work is logically subsequent to that of the writer.

I realize that some scripts stink of failure. Very well: fix them. And be explicit--with added writer&#039;s credit--about those who do (and that includes not just &quot;script doctors&quot; but also non-writers who insist on &quot;creative control&quot;; perhaps this will manage to rein in the latter practice).

Naive? Unrealistic? I don&#039;t think so. Among other things, we should allow good writers to receive their due public recognition, and permit bad ones (or superfluous cooks) to get the excoriation they deserve.</description>
		<content:encoded><![CDATA[<p>Thank you, thank you, thank you.</p>
<p>For years (as a lowly audience member) I have seethed at posters reading &#8220;A [director] Film&#8221; as though writing were something any child could do, or as if the director had merely bought a term paper off the internet and filmed it. Yes, filmmaking is a collaborative effort and someone has to be the ringmaster, but unless he or she is doing complete improv, the director&#8217;s work is logically subsequent to that of the writer.</p>
<p>I realize that some scripts stink of failure. Very well: fix them. And be explicit&#8211;with added writer&#8217;s credit&#8211;about those who do (and that includes not just &#8220;script doctors&#8221; but also non-writers who insist on &#8220;creative control&#8221;; perhaps this will manage to rein in the latter practice).</p>
<p>Naive? Unrealistic? I don&#8217;t think so. Among other things, we should allow good writers to receive their due public recognition, and permit bad ones (or superfluous cooks) to get the excoriation they deserve.</p>
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		<title>By: Podcasting's Rich Sigfrit</title>
		<link>http://earlnewton.com/2009/11/18/the-end-of-the-screenwriter/comment-page-1/#comment-71</link>
		<dc:creator>Podcasting's Rich Sigfrit</dc:creator>
		<pubDate>Thu, 19 Nov 2009 17:33:41 +0000</pubDate>
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		<description>You can see something very similar in the wrestling world.  It is a place where workers are fired because creative has nothing for them.  Now, I have worked in the industry and know how things go, but even if I didn&#039;t, I would think that Creative means that they have to be creative.  If their department can&#039;t come up with something, you fire Creative.  If a director can&#039;t see the vision of the screenplay, then you find someone who does see it.</description>
		<content:encoded><![CDATA[<p>You can see something very similar in the wrestling world.  It is a place where workers are fired because creative has nothing for them.  Now, I have worked in the industry and know how things go, but even if I didn&#8217;t, I would think that Creative means that they have to be creative.  If their department can&#8217;t come up with something, you fire Creative.  If a director can&#8217;t see the vision of the screenplay, then you find someone who does see it.</p>
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