I highly recommend you read the entire post. Gabrielle is an editor for Dragon Moon Press, and really offers the much-needed insider view on this issue.
It’s worth reading for yourself, as well as following the most recent update here (as of Sept 25).
Key points to consider:
“Google’s mission is to ‘organize the world’s information and make it universally accessible and useful.’” It doesn’t say what that will cost, and it begs the question: if one has a monopoly on all the world’s knowledge, do they have a right to charge for it, especially when it can be transferred to anyone else at zero cost?
Google isn’t known for charging for its services…up to this point. Right now, thanks to “free,” Google has been able to stake claims in the markets for email software, office document processing, telephony, and a lot more.
Whenever I hear about something Google is doing, I think back to an old Star Trek episode my father used to tell me about (Ep 41: I, Mudd). A group decides the human race is too dangerous to be free, so they decide to take control of us. When asked how they will do it, they respond thusly:
NORMAN
We will serve them. Their kind will be eager to accept our service. Soon they will become completely dependent upon us.
ALICE 99
Their aggressive and acquisitive instincts will be under our control.
NORMAN
We shall take care of them.
SPOCK
Eminently practical.
KIRK
The whole galaxy controlled by your kind?
NORMAN
Yes, Captain. And we shall serve them and you will be happy, and controlled.
Makes you realize how open to interpretation a phrase like “Don’t be Evil” can be.
The other day I posted a link to a New York Times article about indie filmmakers self-distributing, and erosion of the mainstream film market.
The most interesting aspect of this discussion, to me, is the lack of discussion about the role of video games in eroding the film market.
By and large, the movies that sell the most are escapist entertainment. The problem is: movies don’t have the corner on escapism any more. Continue Reading…
Posted 11 months, 2 weeks ago at 1:32 pm. Add a comment
Mur Lafferty (author of Playing for Keeps and the Heaven series, amongst other celebrated works) posted a terrific article about the problem of juggling “real life” and writing*.
More than ever, it’s the wild west out there now. Right now, studios are less and less interested in developing new material, turning back again and again to remakes and derivatives of pre-existing properties.
As a storyteller, that scares me, not because of any artistic choice, but because once any industry stops investing in the future, they start digging their own grave.
An article about my entré into filmmaking was recently published in the Destin Log in Destin, Florida. It talks a lot about what first drew me into storytelling. Fraser Sherman penned the article, and you have to hand it to him: it has a killer opening line:
When Earl Newton was 10, he convinced his friends he was born on another planet.
The article hasn’t been posted on the Destin Log’s website, so I’m linking to a repost of it on TMCnet.com.
In the confusion of heading up to Pennsylvania (for some quality time with @GoZombieGo and the Zombielets) I forgot to post the next Horror House project I did with Scott Sigler for Mevio.com.
This time we featured Messengers II: The Scarecrow, a new movie from Ghost House Pictures, available in stores and on Amazon.com. (I get no kickbacks for the link, I’m just helpful like that)
New upgrades to look for:
We added some fun “interview cutaways” for fresh takes on Ghost House and their new flick (featuring novelist J.C. Hutchins in Episode One, Messengers screenwriter Todd Farmer in Episode Two, and me)
Moving cameras! I wanted this in the first series, and there just wasn’t time to develop it. Now the camera cruises constantly as Scott lays out the dirt on Messengers II. Groovy.
Post some comments, thoughts are welcome. I want to smooth out the cameras in the next version, and I’m looking to revamp a few other things too.
As a member of the media, the unstable environment we’re in right now is both exciting and pretty unnerving. How things will shake out is still to be determined, and the only certain relief I take right now is that I didn’t blow $30K on a film school education which would be irrelevant before graduation.